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1.最不象凶手的人往往是凶手(这是所有侦探小说通用的),尤其是“我”,受害者,被认为死去的人以及被认为不具能力的人,但值得强调的是要考虑共犯甚至多人犯罪的可能。 2.中途被怀疑过的或中途被揭“老底”的往往不是凶手。真凶的动机总是在最后出现,有很多甚至是前边基本没提到过的,就像《斯泰尔斯庄园》谁能发现女管家居然一直在演戏? 3.关于动机问题往往不会那么显而易见,有显而易见动机的人可以排除,有可能凶手不具杀害死者的动机,最典型的是《死的怀念》凶手根本不具动机只是杀错了。 4.撒下弥天大谎的往往也不是凶手。 5.小说中一些人不是凶手但要相当注意,因为他们真实身份往往会让读者大吃一惊。 6.谁的话都不能信,除了波洛和马普尔。 |